The latest audience data from TRG Arts, showing what patrons care about right now and how their values have changed.
Eric Nelson, Client Engagement Officer at TRG Arts, looks for a clear direction forward, to demonstrate what the future of customer loyalty can and should look like in 2023 and beyond. Using TRG Arts' Arts and Culture Benchmark, he brings together real-time intelligence from over 400 organizations and 335 million transactions across North America, the UK, and Ireland.
This content was first presented in February 2023 as part of The Future of Patron Loyalty, a panel event hosted by Spektrix. If you missed out, we've now published the full event online - helping you to explore what customer loyalty means for theatres, cultural venues and touring organisations in the post-pandemic world.
This is a common statement and desire I hear when talking with arts administrators. However, there isn’t an easy answer or a clear direction forward regarding what the future of customer loyalty can and should look like. To help us puzzle through it, I would like to share some data around what patrons care about right now and how their values have changed, using data from TRG Arts’ Arts and Culture Benchmark.
Before examining the Arts and Culture Benchmark data, I first want to highlight some research being done in our sector to help define customer needs and motivations of today.
A similar but different way of looking at motivations is by understanding what audiences value in their experiences at your venue.
Finding ways to offer your audiences the seats of their choice and opportunities for additional socialisation around your events are ways to meet and market to their values. Surveying your own audiences will give you even greater clarity on how to form your offerings around the experiences they are seeking.
Audiences have embraced the flexibility and convenience that virtual tools can provide, but they are still desirous of real-life experiences and escapes. Consumers have emerged from the pandemic with new clarity on their individual priorities as well, requiring personalisation and relevance on the part of the brands and organisations they choose to spend their money with. Taking actions on things like sustainability and diversity are some of the commonly found values from research by Google, but here again is an opportunity to ask your audiences directly about their priorities and show them where your work aligns with their values.
Performing arts ticket sales for 2022 in the UK and Ireland were down in both revenue and units compared to 2019. Revenue has fallen less than units, which may reflect a slight increase in the price of tickets since 2019. On the donations side, units rose 8% in 2022 but revenue from donations was down by 6%.
Performing arts organisations in the UK and Ireland have lost a high percentage of households in the older generations who previously attended arts events. The greatest loss, -55%, was in the Silent generation (age 77-95). Only 21% of Generation Z (age 11-25) were lost as audience members from 2019-2022.
Encouragingly, new buyers are making up a greater percentage of overall ticket purchases in 2022 than in 2019, as are re-engaged buyers. The overall percentage of current buyers however, is down by roughly 10%.
North American performing arts ticket sales in 2022 were down in both revenue and units compared to 2019. Revenue fell by 7% less than units, which may reflect a slight increase in the price of tickets since 2019. On the donations side, units fell 12% in 2022 from 2019 and revenue from donations was down by 25% due to a large reduction in end of calendar year giving.
Performing arts organisations in the US and Canada have lost a high percentage of households in the older generations who previously attended arts events. The greatest loss, -55%, was in the Silent generation (age 77-95), with a -52% reduction in the Greatest generation (age 96+). Only 6% of Generation Z (age 11-25) and 10% of Millennials (age 26-42) were lost as audience members from 2019-2022.
Encouragingly, the percentage of new buyers, compared to overall ticket sales, was higher in 2022 than in 2019. The same trend was true for re-engaged buyers. One of the present challenges seems to be getting current patrons who have come back in 2022 to become repeat buyers.
So that gets us back to wanting, needing a different approach.
Or does it?
Building the loyalty of your customer has always been and will continue to be what sustains your organisation for the future. Investing in loyalty, retention, and building frequency are the needed ingredients.
How do you move forward?
There are immersive tools and technologies everywhere to help you better steward your customers and understand their values. While most totals in 2022 were still down from pre-pandemic levels, the 2022 recovery picture is much improved from 2021. To make the most of this rising recovery and build your loyalty toward the future, focus on stewarding your customers by doing these five things really well:
THE FUTURE OF AUDIENCE LOYALTY
Eric Nelson is Client Engagement Officer at TRG Arts.
Join TRG's free Arts and Culture Benchmark to understand how your ticketing data compares to an industry leading benchmark of over 400 organizations across North America, the UK and Ireland.
We learn more when we connect. Puzzle through these ideas with Eric by scheduling some time in his calendar.